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ICM FIAT CR.42 in Belgian service.


quang

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3 hours ago, Gazzas said:

Looks fantastic, Quang.  Do you find using the Liquin really helps?  I bought some, but never really got on with it.

In my experience the Liquin helps drying time and thins the paint to produce a glaze which is exactly what is needed Gazza. Various grades or thicknesses of Liquin are available of course but the thinner “detail” one is the best for this purpose, though Quang’s experience may differ of course! 

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6 hours ago, Gazzas said:

Looks fantastic, Quang.  Do you find using the Liquin really helps?  I bought some, but never really got on with it.

We modellers often have issues with Liquin just because we don’t use it properly.

 

Firstly Liquin is NOT a solvant.

You cannot use it to thin paint, to make it more fluid or to make your layers thinner. For that, you’d better use thinner -turpentine or white spirit- even if it’s not commendable because there’s no reason to dilute oil paints.

Likewise there’s no point to thin Liquin. Thinning Liquin would only defeat its purpose.
 

So what is Liquin?

Liquin is a medium (think transparent glue). Added to the paint, it will make it more transparent by stretching’ and separating the pigments (think flecks of colour). The more distance between the pigments, the more transparent the paint becomes. Liquin helps binding the pigments together even when they are far apart like in the case of extreme transparency (or minimal opacity). 
Oils have this great advantage in that the contained pigments are pure and finely grounded. Even stretched to a maximum, it will retain a minute trace of the pigment and adding a subtle tint to the final finish, something other paints (acrylic, gouache, etc…) cannot do.

 

How to use Liquin?

It’s simple. Put a dab of oil paint straight from the tube and mix it with another dab of Liquin. Apply the paint with a small flat brush. Stretch it to check the transparency. Not transparent enough? Add Liquin. Too transparent? Add colour.


An interesting VIDEO by artist/teacher Dianne Mize. Check @03:00

 

Try it and you’ll find Liquin is a game-changer.

Any question or comment welcome.

HTH

Cheers,

Quang 

Edited by quang
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13 minutes ago, quang said:

We modellers often have issues with Liquin just because we don’t use it properly.

 

Firstly Liquin is NOT a solvant.

You cannot use it to thin paint, to make it more fluid or to make your layers thinner. For that, you’d better use thinner -turpentine or white spirit- even if it’s not commendable because there’s no reason to dilute oil paints.

Likewise there’s no point to thin Liquin. Thinning Liquin would only defeat its purpose.
 

So what is Liquin?

Liquin is a medium (think transparent glue). Added to the paint, it will make it more transparent by stretching’ and separating the pigments (think flecks of colour). The more distance between the pigments, the more transparent the paint becomes. Liquin helps binding the pigments together even when they are far apart like in the case of extreme transparency (or minimal opacity). 
Oils have this great advantage in that the contained pigments are pure and finely grounded. Even stretched to a maximum, it will retain a minute trace of the pigment and adding a subtle tint to the final finish, something other paints (acrylic, gouache, etc…) cannot do.

 

How to use Liquin?

It’s simple. Put a dab of oil paint straight from the tube and mix it with another dab of Liquin. Apply the paint with a small flat brush. Stretch it to check the transparency. Not transparent enough? Add Liquin. Too transparent? Add oil paint.

 

Try it and you’ll find Liquin is a game-changer.

Any question or comment welcome.

HTH

Cheers,

Quang 

Thank you!  If I can find the bottle, I'll five it another try.

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